Showing posts with label Tyler Bennett. Show all posts
Showing posts with label Tyler Bennett. Show all posts

Monday, October 26, 2015

666th Season: Semiotics of Death

Semiosalong is kicking off its sixth season. And as it is the Devil's number, the theme for this season is Semiotics of Death, curated by Tyler James Bennet from Tartu University.

The first seminar, titled Necrosemiotic Axiology and "All Souls Night", will be held by the curator himself this Thursday, October 29th 6 pm. The series takes place in Tartu at Arhiiv (Vanemuise 19, entry from courtyard) our gathering place from last year. All of the seminars will be held in English in order to introduce the international semiotics students to the Semiosalong tradition and create a multi-language discussion on occurring matters.

Semiosis is a key identifying feature of life. Wherever we find life, we find the creative negotiation of contradiction, the experience of meaning. But semiotics itself is not strictly interested in semiosis. It is also interested in mono semic, predictable systems found outside of biology. The borderland between the semiosic and the non semiosic is a liminal space peopled by fuzzy hybrids of great interest. What resides beyond is mere death. If semiosis defines life, it also puts in relief that which is beyond. There are two dimensions to the semiotics of death. In the first place, its interest is in those pseudo sign structures whose plurality has perished. How do signs cross this meaningful threshold, where translation ends and copying begins? How can such late structures be preserved, or even resurrected? In the second place, the semiotic study of more literal instances of death, by their untimely reminder of personal mortality, can illuminate the reality of the sub symbolic realm. The semiotics of death breathes life back into the recumbent subject.

Poster design by Mehmet Emir Uslu





Next seminars:

Nov 12: Luke Cui. The Traveler and the Void: Time, Death, Immortality

Nov 26: Francesco Orsi. Sex, Death and Perversion

Dec 10: Ott Puumeister. Surviving Finitude: Survival returns into itself

Tuesday, July 17, 2012

#16 Tyler Bennett: Counter-Hegemonic Discourse Practice and Post-World Electronic Music

23.05.2012 café Nälg (Rüütli 8, Tartu)

Counter-hegemonic discourse practice consists in the destabilization of entrenched ideological superstructures with the aim of opening space in contemporary thought for subjugated knowledges. Hegemony as the monopolization of possible cultural mobility in thought forms and practices (or dominant discourse) is grounded in the thought of Antonio Gramsci. Counter-hegemonic practices are those which achieve autonomy from within dominant discourses by upsetting those discourses. Dominant discourses are upset in a variety of different ways, but for our purposes, art-as-deautomatization of sign relations serves as the exemplar of counter-hegemonic practice. This functionality of art is grounded in the archaeological discourse method of Michel Foucault.
The synthetic model of counter-hegemonic discourse practice is applied to the work of Grey Filastine’s new musical production Loot. The model construes Filastine’s work as employing deautomatization at three nested levels: that of venue, genre, and the politico-economic. Disruptions at the first two levels feed into and crystallize disruption at the third level such that the work cannot be tied to particular political movements. The post-Marxian theoretical descriptive lens avoids the vulgar Marxist trap of attributing economic determinism to the work, while maintaining labor and currency relations as prominent factors in the constitution of hegemony. It shows how Filastine’s work opens discourse at the more fundamental semiotic level, such that new sign relations proliferate in the space of the music, the trajectory and configuration of which remain undetermined.

Here is a video of Filastine: http://www.youtube.com/watch?v=DXLED5HuI8o